Audience involvement is crucial to my work. The series of postcard-sized, double-sided paintings is like precious objects that a child collects and stores in his secret treasure box. I ask people to handle them, change the arrangement and make their own narrative. My works, with their vivid, bright colors and sharp edges, look like collaged stickers. The familiarity of my images is intended to enhance their accessibility. The texture and brush marks provide originality and uniqueness that mass produced images do not possess. My works are small and intimate. They invite audience to walk in and examine them intimately, almost to step into the world I have created. Audience’s attention, once drawn, starts to notice all the detailed oddities taking place on the paper, turning into intense curiosity. This is why I use acrylic gouache because the delicate characteristic of this medium allows me to create very fine details that make my world more alive.
Every piece has its own story. I draw from my literature background, as well as my experience of living back and forth in Korea and the United States, to pick my stories. Living through and studying radically different cultures, I realized that there is something universal in the human mind. I believe there is an ultimate limit to the boundaries of the human knowledge and understanding. In other words we are stuck in Plato’s cave. Unlike Plato, however, I do not believe that the ultimate truth can be learned but that the limitation is unbreakable. Hence, what we believe to be the ultimate truth is merely a reflection of our wishes—we believe something to be true because we want it to be true, nothing more. Once we realize we are each living in an illusory world we created, it is possible to obtain peace. This is why, even though placed in weird worlds and under strange circumstances, my characters are serene and comfortable. My characters have developed from contemporary commercial pop images but lots of my references are from India miniature paintings, Asian traditional Buddhist imageries, and pre-Renaissance egg tempera paintings. These references reflect my desire to bring the east and the west, contemporary and ancient, pop and spirituality together in one image.